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There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
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「很多人誤解教育中立，以為就是什麼都不要談。但不談政治，其實是最政治的。」陳俊宏解釋，威權體制是透過去政治化，將公民馴化為對公共事務沉默的主體，台灣即使已經民主化數十年，仍然沒有擺脫威權遺緒。
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