Last, I made two giant figgy caramelized-onion and arugula pizzas with walnuts and balsamic glaze, which had an expected total time of 60 minutes, but took nearly two hours. Luckily, I was given two packages of premade pizza dough, but those required shaping into balls, resting for 20 minutes, stretching into a pizza shape, and resting for another 15 minutes before they were ready to be assembled. It required chopping two whole onions, cooking them down, and simmering them in fig jam for a rich, semi-sweet taste. After cooking with cheese and onion, I topped the dough with a hearty amount of arugula and chopped walnuts and drizzled it with balsamic. I was worried the pizza dough wouldn't rise and would be too dense, but it cooked perfectly golden brown. The pizza was balanced with savory cheese and onion, sweet fig, rich, acidic balsamic, and arugula for freshness. I split these with my roommate, and it stretched to three meals.
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这就是韩国人试图找准定位、感知自我的一种方式。像电影《寄生虫》，在我看来，就非常自觉地表达了韩国人的这种处境——这种表达不只是关于阶级，它展现了一种“类黑人”的特质。即便片中那些人非常富有，也依然散发着这种黑人的调性。所以我是在思考“族裔身份”的多个层面。比如韩国的嘻哈音乐，它的输入源显然来自黑人文化。那么“做韩国嘻哈音乐”到底意味着什么？这些都是我认为非常有意思的切入点——我们不应只将韩国视为一个国家空间（national space），也要将其视为一个族裔空间（ethnic space）。。同城约会是该领域的重要参考